Project by Laura Allen, Geoff Manaugh, and Mark Smout
Los Angeles is a city where natural history, aerospace research, astronomical observation, and the planetary sciences hold outsized urban influence. From the risk of catastrophic earthquakes to the region’s still operational oil fields, from its long history of military aviation to its complex relationship with migratory wildlife, Los Angeles is not just a twenty-first-century megacity.
Its ecological fragility combined with a dangerous lack of terrestrial stability mean that Los Angeles requires continual monitoring and study: from its buried creeks to its mountain summits, L.A. has been ornamented with scientific equipment, crowned with electromagnetic antennae, and ringed with seismic stations, transforming Los Angeles into an urban-scale research facility, a living device inhabited by millions of people on the continent’s westernmost edge.
L.A. Recalculated is a distributed cartographic drawing—part map, part plan, part deep section—that takes conceptual inspiration from the book OneFiveFour by Lebbeus Woods. There, Woods describes a hypothetical city shaped by the existential threat of mysterious seismic events surging through the ground below. In order to understand how this unstable ground might undermine the metropolis, the city has augmented itself on nearly every surface, with “oscilloscopes, refractors, seismometers, interferometers, and other, as yet unknown instruments,” Woods writes, “measuring light, movement, force, change.”
In this city of instruments—this city as instrument —“tools for extending perceptivity to all scales of nature are built spontaneously, playfully, experimentally, continuously modified in home laboratories, in laboratories that are homes,” exploring the moving surface of an Earth in flux. Architecture becomes a means for giving shape to these existential investigations.
Twenty-first-century Los Angeles has inadvertently fulfilled Woods’s speculative vision. It is less a city, in some ways, than it is a matrix of seismic equipment and geological survey tools used for locating, mapping, and mitigating the effects of tectonic faults. This permanent flux and lack of anchorage makes Los Angeles bathymetric, we suggest, rather than terrestrial, oceanic rather than grounded.
L.A. is also a graveyard of dead rocket yards and remnant physics experiments that once measured and established the speed of light using prisms, mirrors, and interferometers in the San Gabriel Mountains (an experiment now marked by historic plaques and concrete obelisks). Further, Los Angeles hosts both the Griffith and Mt. Wilson Observatories through which the region achieved an often overlooked but vital role in the history of global astronomy.
Seen through the lens of this expanded context, Los Angeles becomes an archipelago of scientific instruments often realized at the scale of urban infrastructure: densely inhabited, with one eye on the stars, sliding out of alignment with itself, and jostled from below with seismic tides.
The surface of Los Angeles is both active and porous. A constant upwelling of liquid hydrocarbons and methane gas is everywhere met with technologies of capture, mitigation, and control. In our proposal, wheeled seismic creepmeters measure the movement of the Earth as part of an experimental lab monitors potentially hazardous leaks of oil and tar underground.
The speed of light was accurately measured for the first time in this city of sunshine and cinema. Using complex scientific instrumentation assembled from rotating hexagonal prisms, mirrors, and pulses of light, housed inside small, architecturally insignificant shacks in the mountains behind Los Angeles, one of the fundamental constants of the universe was cracked.
In the heart of the city, atop the old neighborhoods of Chavez Ravine, erased to make way for Dodger Stadium, we propose a series of 360º planetariums to be built. These not only reconnect Los Angeles with the stars it can no longer see; they also allow simulated glimpses into the Earth’s deep interior, where the planet’s constantly rearranging tectonic plates promise a new landscape to come.
As the city changes—its demography variable, its landscape forever on the move—so, too, do the constellations high above. These shifting heavens allow for an always-new celestial backdrop to take hold and influence the city. A complex architectural zodiac is developed to give context for these emerging astral patterns.
Seismic counterweights have long been used to help stabilize skyscrapers in an earthquake zone; usually found at the tops of towers, these dead weights sway back and forth during temblors like vast and silent bells. Here, a field of subterranean pendulums has been affixed beneath the city to sway—and counter-sway—with every quake, a kind of seismic anti-doomsday clock protecting the city from destruction.
All of the oil, tar, and liquid asphalt seeping up through the surface of the city can be captured. In this image, slow fountains attuned to these percolating ground fluids gather and mix the deeper chemistry of Los Angeles in special pools and reservoirs.
The endless jostling of the city, whether due to tectonic activity or to L.A.’s relentless cycles of demolition and construction, can be tapped as a new source of renewable energy. Vast flywheels convert seismic disturbance into future power, spinning beneath generation facilities built throughout the city’s sprawl.
Through sites such as Griffith Observatory and the telescopes of Mt. Wilson, the history of Los Angeles is intimately connected to the rise of modern astronomy. The city’s widely maligned landscape of freeways and parking lots has been narratively reinvigorated through the installation of gates, frames, and other architectural horizon lines, aligning the city with solstices, stars, and future constellations.
L.A. Recalculated was commissioned by the 2015 Chicago Architecture Biennial, with additional support from the USC Libraries Discovery Fellowship, the Bartlett School of Architecture, UCL, and the British Council.
Special thanks to Sandra Youkhana, Harry Grocott, and Doug Miller.
Geoff Manaugh is a freelance writer and curator, as well as the author of BLDGBLOG, a website launched in 2004 to explore “architectural conjecture, urban speculation, and landscape futures.” His latest book, A Burglar’s Guide to the City, about the relationship between burglary and architecture, is forthcoming from Farrar, Straus and Giroux in April 2016.
www.bldgblog.com | @bldgblog
Smout Allen is a London-based studio funded by Mark Smout and Laura Allen. Their work takes two routes: (1) architectural competitions, where the particular rigor of the competition brief, site, and program provide the basis for new investigations, and (2) conceptual design projects that test out the agenda and methodology of the design research practice. They focus on the dynamic relationship between the natural and the man made and how this can be revealed to enhance the experience of the architectural landscape. Mark and Laura are both Senior Lecturers at the Bartlett School of Architecture, UCL.
www.smoutallen.com | @SmoutAllen